By Jack & Sue Drafahl
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Extra info for Adobe Photoshop for Underwater Photographers
52 ADOBE® PHOTOSHOP® FOR UNDERWATER PHOTOGRAPHERS The Layers palette opens with the F7 key or via the Window>Layers pull-down menu. Layers are built from the bottom up, with the Layers on the left and the Layer Masks on the right. Blending modes for each layer can be accessed from the top of the menu. Masks are edited using the Brush tool; when it’s used in black it erases the adjustment, and when used with white, the data is added back in. Various Layer commands are accessed from the bottom of the Layers palette.
Below—Various file naming conventions allow you to locate the different editing stages at a later date. others to see your editing, you must go to Layer>Flatten Image. When you apply the Flatten Image function, it makes your final file smaller, but you cannot go back and modify your edits. FILE NAMING CONVENTIONS When you scan film images to your computer you will generally use a topic name followed by a sequential number. nef. When working in Photoshop with either type of image, you should make a duplicate file rather than editing the original file.
We added the images on the left to show the results of the editing done in the History palette on the right. The top portion indicates snapshots created during the editing session. changes. You may want to go to Preferences>General and set the History States to a higher number. Generally, we have found that with 512MB of RAM you should stay with the 20 state settings, but with 1–2GB of RAM, you can increase it to 40 or 60 states. Even with added states, if you constantly exceed your History list, you can use the snapshot icon at the bottom of the History palette to save points in PHOTO TRIAGE 43 Left—This shows a typical editing session of a hermit crab on a sponge.
Adobe Photoshop for Underwater Photographers by Jack & Sue Drafahl